SPOT+ seminarprogram

Statens Kunstfond inviterer til informationsmøde for danske komponister, sangskrivere og lydkunstnere lørdag 12. maj på SPOT Festivalen i Aarhus.

Mangfoldige talenter spirer i stor stil i det danske musikliv, og musikalsk talent kan blomstre alle steder i fødekæden, hos både unge og ældre talenter. Her spiller støtten fra Statens Kunstfond en afgørende rolle til at støtte udviklingen af talentet og kunstnerisk udvikling i det hele taget. Statens Kunstfond uddeler i alt 17 mio. kr. til arbejdslegater, komponistaftaler og præmieringer.

Arbejdslegater til den skabende musik

Sidste år modtog 253 danske komponister, sangskrivere og lydkunstnere arbejdslegater til at skabe ny musik. 885 havde søgt, og de uddelte legater var i størrelsesordenen 35.000 – 250.000 kr.

Dansk musik skal spilles og opføres

En anden støttemulighed for den skabende musik er komponistaftaler til for eksempel bestillingsværker, huskomponistaftaler, residencies og andre forpligtende samarbejder mellem musikaktører og danske komponister inden for alle former for musik. Statens Kunstfond yder tilskud til komponisternes honorar. 

Informationsmøde på SPOT Festival

Kom og hør mere om støttemulighederne og mød Kristina Holgersen (formand), Mads Bärentzen og Mike Sheridan fra Statens Kunstfonds Legatudvalg for Musik.

Lørdag 12. maj kl. 13 – 14.30
Remisen på Godsbanen
Skovgaardsgade 3
8000 Aarhus C

Arrangementet er åbent for alle og kræver ikke billet til SPOT. Tilmelding ikke nødvendig.

We’re proud to present this 5th edition of our “Let’s Talk Sync”-session.

This year the session is organized and moderated by one of the sync industry’s most powerful networkers, Ms. Tess Taylor, president of NARIP – National Association of Record Industry Professionals.

NARIP produces a string of high-end sessions focusing on all aspects of the sync business – from Los Angeles to Berlin -  so we’re very happy to welcome Tess to Aarhus for this year’s SPOT+ & Let’s Talk Sync-session.

09:55- 10:00: Opening Remarks, Tess Taylor, president/NARIP: What To Expect

10:00 - 10:45: Panel #1: Meet The Music Supervisors I: AV Squad’s Angel Mendoza, Trailer Park’s Bobby Gumm, Mob Scene’s Toddrick Spalding

Major motion picture and television studios hire trailer houses to create the most captivating and exciting and edgy promos possible to sell their multi-million dollar films, series and global franchises like Star Wars, A Wrinkle In Time, Marvel’s Defenders and others.  Trailer houses can never get enough music, but in this highly competitive field timing, production value, relationships make all the difference. Come meet three of Hollywood’s top trailer music supervisors at this special session and hear what's required to get in the door.

10:45 - 11:15: Lecture: How To Pitch & Place Music in Hollywood Films, TV & Trailers with NARIP’s Tess Taylor.

Song placement remains one of the best ways for music to receive exposure and cut through clutter and the competition is fierce just to get noticed.  Back by popular demand following Part 1 of her lecture at SPOT 2017, NARIP president Tess Taylor shares strategies and information sources to research current projects, identify the correct buyers or music supervisors, make contact and follow up. She will identify best practices for reaching out to busy people that dramatically improve chances of success. She will also detail how to form professional relationships that benefit all parties and result in better business for everyone. Most importantly, she will discuss how to make and close these deals in ways that keep music buyers coming back for more.

YOU WILL LEARN:

• What music buyers really look for
• How to increase the impact and marketability of music
• Before the pitch: research, info sources
• Make the pitch: how and when to make the best pitch, what to avoid
• After the pitch: how, if and when to follow-up.
• Make the placement: budgets, fee ranges, types of uses, what to expect
• After the placement: after-care, repeat business, do it again!

Don’t miss this insider’s peek at the music placement realities of the fastest-changing business in the world. Most importantly, lecture gives you practical information you can apply immediately to make better pitches and land placements NOW.

11:15 - 11:25: Break

11:25 - 12:10: Panel #2: Meet The Ad Music Supervisors II: J. Walter Thompson Ad Agency’s Dan Burt, Hated Industries’ Todd Porter, Droga5’s Mike Ladman, Music Stylist’s Jesper Gadeberg.

Music is a key element to capture attention and no one knows this better than music supervisors responsible for advertising campaigns for global brands such Rolex, Campari, Chase, Cover Girl and Under Armour.  Hear from this A-list of the ad world what elements they seek in music that make it more suitable for licensing in their projects.

12:30 – 13:15  Panel #3: Meet The Film & TV Music Supervisors: Joe Rudge, State of Sound’s Amine Ramer, Copenhagen Film Music’s Nis Bøgvad, Cookies For All’s Uli Kleppi and Thag’s Agent’s Markus Linde

Film and television are in a class of their own as a platform for music placement, with diverse uses in blockbuster films, hit television shows, documentaries and more.  Learn which types of projects have a greatest need for custom cues, cover, chart hits and pre-recorded original songs from this international panel of experts who have music supervised an Oscar-winning film, award-winning series and critical favorites.

Presented by NARIP in cooperation with Promus & SPOT+

With regards to music usage in film, advertising and games, we keep coming across the same deficiencies in terms of communication, knowledge, information, efficiency, and creativity.

This open panel will identify these deficiencies and discuss possibilities how they can be constructively addressed. 

• How important is knowledge about music rights, how do we educate?
• How do we open the way for the independent players towards an optimized and pro-active minded synch-business? 
• How do we strengthen the link between rights-owners and the clients across borders?
• Do we face the same challenges throughout Europe?
• How important Is it to understand our cultural differences?
• How do we benefit from a stronger European music community?
• The need of a common European platform to generate and curate processes of networking, connections, education, communication, creative and legal consulting, brokering and exploitation. 

The panel presents a wide range of individual professional tie-ins into the synch-business.

Meet: Daryl Bamonte (Publisher, Schubert Music, and Artist Manager, UK), Markus Linde (Thag’s Agent, Music Agent, Germany) Nis Bøgvad (Copenhagen Film Music, Music Supervisor, Denmark), Nuno Saraiva (Lusitanian Music / Altafonte Music Publishing) & Ralph H. Christoph (Head of Program c/o pop Convention & Head of Program INTERACTIVE COLOGNE, Germany)

 Moderator:  Nuno Saraiva

Presented by Europe In Sync in cooperation with Promus & SPOT+

Find out how deals between streaming services and record companies, music publishers and collection societies really work, and how royalties flow from each streaming platform through to artists and songwriters.

This briefing session is based on the ‘Dissecting The Digital Dollar’ reports produced by CMU Insights for the Music Managers Forum in the UK – findings which have recently been compiled and updated in a new book available from Amazon.

This session at SPOT+ will also include insights on how digital licensing specifically works in the Nordic markets, and how it differs from the UK and the US.

Hosted by Chris Cooke, MD and Business Editor of CMU and author of the above report.

The digital music industry is increasingly data-centered and it is often assumed that developments in big data are at the heart of the future of the music business. But how do differences in quality and access to data affect the industry dynamics? What are the implications of the emergence of algorithmic curation and recommendation of music for the future of musical development and taste? And how is data changing the ability to make money from music in the digital age?

This keynote reports from an ongoing research project at Roskilde University. It explores the multitudes of different data that are currently being used in the music industries and discusses the potential impact of data on business models, taste and power relations across the music industry sectors.

Rasmus Rex Pedersen is Assistant Professor, PhD at Roskilde University.

Presented by Promus & SPOT+

Musikforbruget har aldrig været større. Og vi har aldrig vidst så meget om  publikum, som vi gør i dag. Tænk fx på den “big data” som skabes, når millioner af mennesker hver dag streamer musik over hele verden. Hvis vi havde adgang til al den information, som faktisk findes, og ressourcerne til at analysere den, ville vi blive meget bedre til at nå vores publikum. Og spare masser af penge på vores markedsføring. Problemet er, at de færreste af os har adgangen og ressourcerne. Og – må vi være ærlige at sige – heller ikke de fornødne kompetencer. Men på nogle vigtige områder er der hjælp at hente. Også for musikere, sangskrivere og DIY-producenter. På seminaret “Let’s Talk Data” har vi samlet fire aktører, som præsenterer deres respektive tjenester, der på forskellig måde bidrager til en større grad af viden og transparens. De vil også give deres bud på den fremtidige udvikling på området.

Mød: Lars Ettrup (direktør for Linkfire), Niels Mosumgaard (formand, DPA og KODA), Helienne Lindvall (Head of Europe, Business & Songwriter relations hos Auddly.com), Jesper Skibsby (direktør, Warm)

Moderator: Jesper Bay (MusicMatters, direktør for DKK)

Præsenteret af Promus i samarbejde med SPOT+

Den traditionelle musikradio, vi er vokset op med, er under udvikling. Podcasting vinder frem og der opstår spændende tiltag både hos Danmarks Radio og ude i det uafhængige podcastingmiljø, for med udviklingen kommer også helt nye muligheder, men samtidigt også udfordringer.
Vi taler udvikling af indhold, hvordan man kommer ud og hvilke udfordringer man er i som podcaster.

Mød: Casper Bach-Hegstrup (DR/P6), Jakob Trolle (SOLO Podcast), Benedikte Granvig (Selvskrevet Podcast), 
Niels Mosumgaard (KODA)

Præsenteret af Center for Podcasting i samarbejde med Promus & SPOT+

Mediebranchen oplever lige så store udfordringer som musikbranchen, og det ændrer på musikjournalistikken. Anmeldelser bliver færre i mainstream-medierne, og musik-medierne er presset på økonomien og skal tjene penge på sponsoreret indhold. Musikjournalister og branchefolk deler deres holdninger ,oplevelser og skæve historier.

Mød: Lucia Odoom (dagbladet Politiken, vært på podcasten Pop-tillæg), Eik Frederiksen (SONY – head of radio & international), Simon Sandfeld (leder af spillestedet Stars, Vordingborg).

Moderator: Claus Vittus (radiovært,  freelance musikjournalist for DR m.fl.)

Præsenteret af Frilands v. Claus Vittus i samarbejde med Promus & SPOT+

Recent years have seen an increasing interest in Nordic music with artists such as MØ, Sigrid and Tove Lo. In order to capitalize on that attention and success, the role of the manager has become more and more important when it comes down to the international career development of Nordic artists.

To discuss this, we have gathered a panel of four young managers from Denmark, Norway and Sweden – all working actively for their artists internationally – to give their insights on their daily work and all the areas you have to work with in the modern-day music industry.

Meet: Rasmus Damsholt (ATC Management), Stefan Cristopher Petersen (Phlake Mansion), Karen Norbakk (Mandelbaum Mng.) (NO), Kristian Riffo (Nivy) (SE)

Moderator: Christian Taagehøj (Camp Raven Management)

Presented by Promus & SPOT+

Der sælges og videresælges billetter på det sekundære marked som aldrig før. Billetter til koncerter og festivaler handles på dba.dk, i kommentartråde på Facebook og ikke mindst gennem online virksomheder som StubHub og ViaGoGo - ofte til forhøjet pris. Det er ulovligt, og forbrugerne advares gang på gang mod denne type handler. Alligevel virker markedet for videresalg af billetter til at være i vækst, og omsætningen er enorm. Organisation Fanfair Alliance* vurderer at der årligt omsættes for én milliard pund på det sekundære marked for billetter til musik- og sportsarrangementer i Storbritannien alene. Til sammenligning, er det cirka dobbelt så meget som hvad alle streamingtjenesterne til sammen, omsætter for i samme territorie.

Det sekundære marked associeres ofte med lovbrud og bedrag, men hvorfor tiltrækkes så mange forbruger så alligevel dertil?

Er der nogle forbrugermæssige fordele ved det sekundære marked, som vi har overset?

Er måden vi prissætter og sælger billetter på forældet?

Hvordan skal live-branchen forholde sig til det her marked fremadrettet?

Mød: Karolina Hansen (Beatbox Ent.), Poul Martin Bonde (Smukfest), Claus Visbye (Horsens & Friends) & Jakob Lund (Ticketmaster).
Moderator: Signe Tobiassen.

Igennem de seneste 20 år er der ud af Aalborg og Nordjylland kommet en række af gode bands og artister som har beriget dansk musik. Men hvordan fostres og arbejder disse talenter i en stor dansk provinsby hvor der er langt imellem aktører indenfor ”musikbranchen”, og er der en ny bølge på vej af nordjyske artister som vil erobre den danske musikscene de kommende år?

Til at kaste lys på regionen har vi samlet et panel bestående af :

Mød: Jan Sneum (musikjournalist), Kristoffer Rom (Grundlægger af pladeselskabet TAMBOURHINOCEROS og PR-bureauet Nordic Waves), Sofie Trolde (musiker), Andreas Westmark (musiker, Get Your Gun, Døde Blomster m.fl.), Lis Rom Andersen (Kulturchef, Aalborg Kommune).

Moderator: Jens Ole Amstrup (spillestedsleder, Det Musiske Hus).

Musikken forbindes ofte med de store byer, men samtidig hører man succeshistorier om steder som Skive, Thy eller Bornholm, hvor der eksisterer musikmiljøer der bobler over af talent – til glæde for resten af Danmark.

Der er masser af gode tiltag i yderområderne, men hvordan arbejder man systematisk med at skabe musikalsk vækst derude?

Hvordan kan vi sætte skub i de gode tiltag og hvilke udfordring er skal overkommes?

Mød: Jens Ole Amstrup (Det Musiske Hus), Stig Sylvest Hansen (Thy Music Collective), Marc Fachini (Midsommer Festival)

Moderator: Emil Sørensen (Volume og stifter af Lydkanten)

With almost 90% market share, streaming has become the most important way of reaching your audience. But what are the upsides and the downsides of artist development, international work and live shows. We have invited a group of Denmark's key-players to discuss the different perspectives to these issues.

Meet: Stefan Cristopher Petersen (Phlake Mansion), Jakob Sørensen (The Bank), Lydmor (artist) & Esben Marcher (Dansk Live)

Moderator: Jesper Bay (MusicMatters & DKK)

Presented by Promus & SPOT+